The seed for the idea of this post was planted when I learned of the cast of the upcoming film adaptation of Watchmen. I started to wonder why there are so few anti-heroes of color. The only film I could think of that had an African American anti-hero was Spawn. When I tried finding another, the only relevant film title I found was Superfly, a sort of exception that proves the rule. I considered that the lack may partly be due to movie creators' feeling that they need to tread carefully in order to remain racially sensitive. After all what sets an anti-hero apart from a hero is certain less-than-heroic qualities, and an ignorant audience member might associate these qualities with the character's ethnicity. However, I didn't think that alone explained the dearth of anti-heroes of color in mainstream media.
I was then reminded of something else I had noticed: Why is it that in recent years the judge, the computer expert, or the God of a mainstream work of fiction has been black? At first glance this might look like a cause for celebration: Finally a positive portrayal of black people! But I started to feel that I was seeing the genesis of a new stereotype. But it was only while thinking about these stock characters in relation to anti-heroes that it hit me: These characters are just one step away from being magical negroes (indeed the article that I link to lists God as played by Morgan Freeman as a magical negro). By and large their history is neither explored nor shrouded in a mystique to give the audience cause to supply their own history. They have a lot of power that comes from their genius or near-genius mental abilities, but they generally only use it to bail white protagonists out of trouble or teach them valuable lessons.
The anti-hero could be considered the antithesis of the magical negro. Anti-heroes tend to have rich histories; this is part of what helps us see them as heroic. I can remember reading Classic X-Men and coming to admire Wolverine, because even though he acted like an asshole a good part of the time, the writers hinted at a rich history of suffering to explain why he acted that way. (This was many years before the publication of Weapon X.) Anti-heroes also tend to be somewhat egoistic, working with the group only insofar as is needed to further their own ends. So I think there are two main reasons we don't see many anti-heroes of color in fiction. First, white writers don't want to depict people of color with rich histories that involve suffering, even though real life people of color experience oppression that white people in a racist society will never know. Second, white writers don't want to depict people of color being reluctant to help out white people or doing things for their own sake. And so we have characters of color who have or may as well have dropped out of heaven to help out white people -- though never white writers, it seems.
If anyone insists that this is an innocuous lacuna, consider how often you see anti-heroes who belong to any oppressed group. (This is appropriate, as the theme of this year's IBARW is intersectionality.) In Alan Moore's graphic novel V for Vendetta the protagonist's race and sexual orientation are left ambiguous. But the movie makes V white and straight, despite the movie's pervasive pro-gay-rights theme. It's difficult to excuse this by saying, "We wouldn't want people to associate V's anti-heroic qualities with being black or being gay," when the film version of V has been stripped of most of his anti-heroic qualities. This is even less justifiable when the film has Evey make reference to V's being an everyman. One of the advantages of having a masked protagonist be an everyman -- one that Moore had the insight to exploit -- is that you can let many of the character's attributes remain ambiguous. It seems that the film-makers simply did not want to present a protagonist or an everyperson who even ambiguously knew what it was to be a person of color or non-heterosexual.
On a note unrelated to anti-heroes but related to racism, if I were a person of color, people might attribute my lateness in contributing to IBARW to my ethnicity. But because I'm white, I have the privilege of never having to deal with that accusation.